Nick: I got my first camera when I was in third grade. Sometime around then I got to go on a field trip down to the Shed Aquarium in Chicago, so I brought it with me. I remember trying to take photos of the fish through the glass. My flash is going off, and I'm so excited about my photos. I'm so, so excited about the fish... and I developed the roll and it's just all shit.
I'm like, "Wait. I know this is possible. I have seen pictures of fish. Beautiful pictures! I didn't get that at all!" That's the first time I remember having that cognitive dissonance that - I knew photography was possible, and I had no idea how to do it.
The technical aspect is something that I've always had to just buckle down and figure out. When I get involved in technical conversations with other photographers, it bores me to death generally. Because the technical piece can just get in the way. It was in the way of me capturing how I was feeling when I was looking at those fish. That feeling of, "Wow, look at these amazing creatures."
Megan: It's the same disconnect that people have with landscape photography, right? You're in the environment, and you're like, "This is so beautiful." Then you get your photo and you're like, "Oh."
Nick: Yeah, because you can't capture the wind, and you can't capture the temperature, and you can't capture the feeling of the person you're with, ya’ know?
-Nick, Nick Wilkes Photography, Madison WI
Nick: When we moved back to Wisconsin, I started taking less landscapes and got really into portraiture. We started our family- had two boys- and I got interested in creating or capturing moments. Moments that maybe create more questions than answers. That's become a lot more fun.
This one captures a moment... and I like that it's not really about who those people are. It's about an emotional space. It's about summer, and it's about an adult and a kid, and it's about ... It's hard to put into words for me, because it's more emotional. Maybe not deeply emotional, but it's almost universal. Who hasn't sat with their feet in the water on a summer day? Maybe with or without a kid, but who doesn't have family? I guess some people don't.
Megan: Well it's an ingrained thing. Even if people don't, there's still this evolutionary understanding of that relationship.
Nick: Whenever you can hit that, whenever you can hit universal or timeless, you're doing okay, right?
Nick: I'm from Vernon, which is outside Mukwonago, near Waukesha, Wisconsin. I'm from a little subdivision stuck into some farm fields right next to a marsh.
When I was a kid I spent all my time in the marsh. Mom would let us out of the house at 8:00 am, and we didn't have to come back until dinner time. I had two brothers, and we just spent all our time catching crayfish, catching fish, catching snakes. This picture reminds me of that; it's just about exploring, being free as a kid, and just running around, having a lot of space to do that.
Now we live on a tenth of an acre, so I feel a little hemmed in sometimes. But there's places here to go to and get out, and I try and do that a lot with the boys.
Nick: I started taking photos when I was a kid. I've stopped a bunch of times over the years due to hopelessness, weariness, and/or brokenness, but I always seem to get back on the horse. Depressing a shutter button is a visceral feeling for me, maybe like landing an uppercut or slicing a tomato is for somebody else. I think we all have something that makes us feel sharp and vivid and alive; photography is one of those somethings for me.